I think a lot of Nolan's strength is in advertising: he teases the perfect amount and fulfills that promise as much as he can. And he's got ambition and a great sense of scope. I don't know though, I can't believe some of that stuff stayed in. I can see why some physicists would eat it up but it just seems beyond farfetched. Inception and the Batman movies toed the line between exciting and ridiculous pretty well, while this falls largely on the latter side. One of Hans' best scores for sure though, and I'm glad I got to see it on 35mm.
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